Kanye performs Bound 2 on Late Night With Jimmy Fallon, Sept 9 2013
Kanye performs Bound 2 on Late Night With Jimmy Fallon, Sept 9 2013
Kanye performs Bound 2 on Late Night With Jimmy Fallon, Sept 9 2013
Timbaland Speaks on Jay-z’s Magna Carta Holy Grail for the First Time
His third single for the LP “Beware,” features Lil Wayne and Jhené Aiko. The auto-tuned melodies of the single speak of the heartbreak inflicted by infidelity. G.O.O.D. Music brings you a “cruel summer” this year in three parts. First, Kanye West released Yeezus on June 18. Next, Pusha T will deliver My Name Is My Name on July 16. Then, Big Sean will bring the cruelness to a close with Hall of Fame on August 27.
For his second print of 2013 the rapper candidly tackles his collaborative work with Jay-Z in the new interview with W Magazine , as well as a bevy of other juicy bites including his own sex tape, his likeness to Hermes, and the city in which he finds the most inspiration. All of the below ideas float around in the context of Yeezus, yet, lest we forget, Kanye is an endless source of inspiration both on and off the mic. Enjoy select excerpts from the interview below, while the full piece can be read on W Magazine‘s website.
On his decision to record in Paris:
“In Paris, you’re as far as possible from the land of pleasant smiles,” West says. “You can just trip on inspiration—there are so many people here who dedicate their lives to excellence.”
The song “I Am A God”:
West was informed that he’d be invited to a widely anticipated runway show only on the condition that he agree not to attend any other shows. “So the next day I went to the studio with Daft Punk, and I wrote ‘I Am a God,’?” West says. “Cause it’s like, Yo! Nobody can tell me where I can and can’t go. Man, I’m the No. 1 living and breathing rock star. I am Axl Rose; I am Jim Morrison; I am Jimi Hendrix.” West is not smiling as he says this, and his voice is getting louder with each sentence. “You can’t say that you love music and then say that Kanye West can’t come to your show! To even think they could tell me where I could and couldn’t go is just ludicrous. It’s blasphemous—to rock ’n’ roll, and to music.”
On why he chose the title “I Am A God”:
“I made that song because I am a god,” he says finally. He laughs for a second, then stops. “I don’t think there’s much more explanation. I’m not going to sit here and defend shit. That shit is rock ’n’ roll, man. That shit is rap music. I am a god. Now what?”
“On one end, I try to scale it back,” he says. “Because I don’t want to close any of the doors needed to create the best product possible. But my ego is my drug. My drug is, ‘I’m better than all you other mother***ers. Kiss my a**!’?”
On having almost released his own sex tape after it was on sale last fall:
“For the most part, I’d rather people have one of those home videos than some of the paparazzi photos that get published,” he says. “At least I recorded the shit myself. That tape couldn’t have hurt me in any way if it came out—it could only have helped.” He finally decided against releasing it, but don’t be surprised if he changes his mind. “Now, I just do exactly what I want, whenever I want, how the fuck I want,” West says. “ ‘Fuck you’ is my message.”
“I’m not a billionaire; I’m just a millionaire. But I’m the youngest guy I know who has this much interest in design and the ability to actually get some of it. So that makes me an important cog in the wheel.”
“Furniture is my superobsession now. Furniture and pornography, still. The porn thing has never left since I was in high school.”
On Watch the Throne:
“It was like Steve Jobs and Bill Gates talking at the same time. You know which one of us was Steve.”
On doing everything:
“You know how they say, ‘Jack of all trades, master of none’? I want to be master of all. And not even to be a jack but a king. In fact, not even a king. An ace.”
“This music is made to spark the visionaries to stand up for themselves and help the world. Because the world is fucked.”
On Christianity and Ralph Lauren:
“I’m Christian in the same way that people have issues with certain elements of Christianity. It’s like if you go into a Ralph Lauren store, maybe that buyer didn’t do the exact buy that you want, but you still really like that brand.”
“Anyone who meets me for the first time and is not slightly nervous is completely full of shit. Because when I meet people I respect, I’m nervous. When I go have lunch with Tarantino at the Chateau Marmont, I’m nervous. It’s fucking Tarantino!”
On his intellect:
“Visiting my mind is like visiting the Hermès factory. Shit is real. You’re not going to find a chink. It’s 100,000 percent Jimi Hendrix.”
On his imagination:
“I live a pretty interesting life. But the life that I’m living is way less interesting than what I’m thinking.”
On the tattoo on his forearm of Madonna and Baby Jesus:
“This is me and my mommy.”
On how seriously to take him:
“You should only believe about 90 percent of what I say. As a matter of fact, don’t even believe anything that I’m saying at all. I could be completely fucking with you, and the world, the entire time.”
On his style taboos:
“Even the greatest tattoo artists in the world have a few bad tattoos. And that’s Kanye West. A few of my past outfits—questionable, you know? But I’m testing. I’m discovering who I am.”
On W’s 2010 cover of a nude Kim Kardashian:
“I loved the fact that it happened, that it disturbed people. I loved the fact that it put those curves right inside that Hamptons house, that there’s some Hamptons husbands who had to cover that up.”
On his rock-star status:
“Instead of using it to date as many supermodels as possible or to be as much of an asshole at a restaurant as possible, I would rather use it to access great minds. To be able to go to Axel Vervoordt’s castle on the first day that I meet him.”
J.Cole – Born Sinner: From Depression To Happiness #OKNotToBeOK
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In the latest segment of SoulCulture’s mental health campaign, #OKNotToBeOK, Roc Nation’s North Carolina emcee J. Cole discusses experiencing depression for the first time whilst crafting his anticipated sophomore album, Born Sinner.
J.Cole Freestyles on FunkMaster Flex
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http://instagram.com/soulcultureJ.Cole Freestyles on FunkMaster Flex
John Legend’s back with another love ballad from his forthcoming Love In The Future album, today we present John Legend’s new “Made to Love” track. Kanye West is rumored to be very involved in the production on the project, hearing his influence on the presented audio. Let us know if you agree after streaming the fresh release below. Legend’s anticipated album is scheduled to arrive on September. Stay tuned for more.
The Wall Street Journal published an interview with hip-hop zen master about his partaking on the Yeezy album and Rick Rubin concisely explained, read all about below:
When and why did you join the “Yeezus” project?
Kanye came over to play me what I assumed was going to be the finished album at three weeks before the last possible delivery date. We ended up listening to three hours of partially finished pieces. The raw material was very strong but hadn’t yet come into focus. Many of the vocals hadn’t been recorded yet, and many of those still didn’t have lyrics. From what he played me, it sounded like several months more work had to be done. I joined the project because after discussing what he had played for me, he asked if I would be open to taking all of the raw material on and help him finish it.
How would you describe the new sound he was driving for, and how you did you help him arrive there?
He wanted the music to take a stripped-down minimal direction. He was always examining what we could take out instead of put in. A good example would be the song that became “Bound.” When he first played it for me, it was a more middle of the road R&B song, done in an adult contemporary style. Kanye had the idea of combining that track with a cool sample he had found and liked – I removed all of the R&B elements leaving only a single note baseline in the hook which we processed to have a punk edge in the Suicide tradition.
Can you recall a scene from the sessions that might help people understand his method in the studio?
We were working on a Sunday [the same day West attended a baby shower for girlfriend Kim Kardashian] and the album was to be turned in two days later. Kanye was planning to go to Milan that night. Five songs still needed vocals and two or three of them still needed lyrics. He said, “Don’t worry, I will score 40 points for you in the fourth quarter.” In the two hours before had to run out to catch the plane, he did exactly that: finished all lyrics and performed them with gusto. A remarkable feat. He had total confidence in his ability to get the job done when push came to shove.
Where does “Yeezus” put him in relation to hip-hop and the broader music culture?
He is a true artist who happens to make music under the wide umbrella of hip hop. He is in no way beholden to hip hop’s typical messaging musical cliches. Hip hop is a grander, more personal form because of his contributions, and hopefully his work will inspire others to push the boundaries of what’s possible in hip hop.
To what extent have you been involved in the rollout of the album? I’d like to hear your thoughts on his “no strategy” method of promotion, for example declining to release an official video or a single.
He is pure in his art and in a form where so many choices artists make are often the result of business consideration. Kanye chooses to let his art lead. He didn’t want a premeditated commercial (single) for his album as he looks at it as a body of work. I like it anytime an artist follows his own vision of a project and doesn’t use the cookie cutter template expected of most artists. Kanye proceeds on the road less traveled and I applaud him for it.
Source: The Wall Street Journal
Kanye West hosted his listening session in Los Angeles and also debuted the rumored movie starring Scott Disick and Jonathan Cheban which actually turned out to be a short film promo.
When your debut album, “The College Dropout” came out, the thing that people began to associate with you besides music was: Here’s someone who’s going to argue for his place in history; like, “Why am I not getting five stars?”
I think you got to make your case. Seventh grade, I wanted to be on the basketball team. I didn’t get on the team, so that summer I practiced. I was on the summer league. My team won the championship; I was the point guard. And then when I went for eighth grade, I practiced and I hit every free throw, every layup, and the next day I looked on this chart, and my name wasn’t on it. I asked the coach what’s up, and they were like, “You’re just not on it.” I was like, “But I hit every shot.” The next year — I was on the junior team when I was a freshman, that’s how good I was. But I wasn’t on my eighth-grade team, because some coach — some Grammy, some reviewer, some fashion person, some blah blah blah — they’re all the same as that coach. Where I didn’t feel that I had a position in eighth grade to scream and say, “Because I hit every one of my shots, I deserve to be on this team!” I’m letting it out on everybody who doesn’t want to give me my credit.
And you know you hit your shots.
Yeah — you put me on the team. So I’m going to use my platform to tell people that they’re not being fair. Anytime I’ve had a big thing that’s ever pierced and cut across the Internet, it was a fight for justice. Justice. And when you say justice, it doesn’t have to be war. Justice could just be clearing a path for people to dream properly. It could be clearing a path to make it fair within the arena that I play. You know, if Michael Jordan can scream at the refs, me as Kanye West, as the Michael Jordan of music, can go and say, “This is wrong.”
You’ve won a lot of Grammys.
“[My Beautiful] Dark [Twisted] Fantasy” and “Watch the Throne”: neither was nominated for Album of the Year, and I made both of those in one year. I don’t know if this is statistically right, but I’m assuming I have the most Grammys of anyone my age, but I haven’t won one against a white person.
But the thing is, I don’t care about the Grammys; I just would like for the statistics to be more accurate.
You want the historical record to be right.
Yeah, I don’t want them to rewrite history right in front of us. At least, not on my clock. I really appreciate the moments that I was able to win rap album of the year or whatever. But after a while, it’s like: “Wait a second; this isn’t fair. This is a setup.” I remember when both Gnarls Barkley and Justin [Timberlake] lost for Album of the Year, and I looked at Justin, and I was like: “Do you want me to go onstage for you? You know, do you want me to fight” —
For what’s right. I am so credible and so influential and so relevant that I will change things. So when the next little girl that wants to be, you know, a musician and give up her anonymity and her voice to express her talent and bring something special to the world, and it’s time for us to roll out and say, “Did this person have the biggest thing of the year?” — that thing is more fair because I was there.
But has that instinct led you astray? Like the Taylor Swift interruption at the MTV Video Music Awards, things like that.
It’s only led me to complete awesomeness at all times. It’s only led me to awesome truth and awesomeness. Beauty, truth, awesomeness. That’s all it is.
Mr. West interrupting Taylor Swift’s appearance at the MTV Video Music Awards at Madison Square Garden in 2009.
So no regrets?
I don’t have one regret.
Do you believe in the concept of regret?
If anyone’s reading this waiting for some type of full-on, flat apology for anything, they should just stop reading right now.
But that is something that you apologized for.
Yeah, I think that I have like, faltered, you know, as a human. My message isn’t perfectly defined. I have, as a human being, fallen to peer pressure.
On this album, the way that it emphasizes bass and texture, you’re privileging the body, and that’s not snobby.
Yeah, it’s like trap and drill and house. I knew that I wanted to have a deep Chicago influence on this album, and I would listen to like, old Chicago house. I think that even “Black Skinhead” could border on house, “On Sight” sounds like acid house, and then “I Am a God” obviously sounds, like, super house.
Yeah, visceral, tribal. I’m just trying to cut away all the — you know, it’s even like what we talk about with clothing and fashion, that sometimes all that gets in the way. You even see the way I dress now is so super straight.
Does it take you less time to get dressed now than it did five years ago?
You look at your outfits from five or seven years ago, and it’s like —
Yeah, kill self. That’s all I have to say. Kill self.
Fresh off of a European tour, XXYYXX delivers new music. The new song, titled “Pay Attention,” premiered via his soundcloud today with the words “Off of the new album” in the description. No word yet on when his forth-coming sophomore album is set to release, but the replay-value of “Pay Attention” is sure to buy the 17-year-old producer some time until listeners start demanding further information.
After receiving news that TLC will indeed be featured on his upcoming sophomore album, today we showcase the featured track from J. Cole and the legendary group. “Crooked Smile” expectantly showcases a somewhat old school vibe, of course of which Cole is no stranger to. Born Sinner – on June 18